Amped And Co

21 Apr 19
Well That's Fulltime!

From highs to lows, from cheers to jeers, from tears of joy to cursing every swear word known to mankind; this week for Whitecaps fans was full of victory and frustration. On Wednesday night, The Whitecaps aimed to come away with their first ever win in the 2019 MLS season. However; this would not come […]

21 Apr 19
oaklandsocialist

From the Washington Post Capitalism in crisis: U.S. billionaires worry about the survival of the system that made them rich April 20 at 7:46 PM PALO ALTO, Calif. — A perfect California day. The sun was shining, a gentle breeze was blowing and, at a Silicon Valley coffee shop, Rep. Ro Khanna was sitting across from […]

20 Apr 19
Rock 'n' Roll Reviews and Trivia

Last month’s post reviewing all the Dave Clark 5’s LPs was such a blast that it seemed only fair to do the same with your blog-master’s other fave early teenage years group – Paul Revere & The Raiders.  To this day, I still love a musical act that puts on a show while playing their […]

19 Apr 19
JackWannan.com

Live from Shinbika Studio Coast, commentated by Stewart Fulton and Guy Delumaeu, let’s look at how Pancrase 304 went down. Preliminary Card: Bout 1: Tatsuki Ozaki vs. Ryuji Abe (2019 Neo Blood Tournament First Round Strawweight) (3×3) The first bout of the evening was Tatsuki Ozaki versus Ryuji Abe in the first round of the […]

19 Apr 19
BroBible

Welcome back, gentlemen! Do you know why I call you gentlemen? Because I expect you to look and act like it and that’s why I spend hours upon hours each week putting together the ‘Things We Want‘ gear guide for men. This way you have direct access to the hottest gear for men. If you’ve […]

19 Apr 19
LGBT News Now

Meet our food and beverage partners for this year’s Simply diVine, as they answer four of our burning questions. We look fourward to seeing you on Saturday, April 27, at Hollywood Forever! Purchase your tickets today at simplydivinela.org. Use code CAMPUS19 to receive $25 off FOODIE tickets. According to its owners, BADMAASH is a term […]

18 Apr 19
Gospel & Gratitude

Richard Beck, psychology and theology professor at Abilene Christian University wrote a helpful blog post on the mundane nature of following Christ. I found his perspective to be refreshing and spot on in many ways. Check out what he has to say. I was talking to one of my students recently about the temptations of […]

17 Apr 19
Radio Free

More than twenty years ago Charles Lewis noted in The Buying of the Congress that for most Americans the national legislature is “a distant abomination.” You can put the emphasis on “distant”—fewer than half the citizenry can name their representative and even fewer can name both their senators. Or you can emphasize the “abomination,” since […]

16 Apr 19
Consequence of Sound
The last few months have seen Frank Ocean slowly but surely let fans into his world. In November, he finally made his Instagram public; he then followed that up with an interview with GQ magazine in January. The R&B singer is back in the spotlight today as the cover star for the new issue of Gayletter. In the magazine’s corresponding interview feature, Ocean spoke at length about a number of subjects, including his public persona, the impact of social media, his dating status, and his favorite TV shows. Of particular note are his thoughts on the music industry, especially with regards to the record label drama surrounding his pair of 2016 albums, Endless and Blonde.  Because of his lack of press over the years and his sparse social media presence up until last fall, Ocean has earned an air of elusiveness. It’s all a misconception, though: “I think the whole idea of me as a recluse is absurd ’cause I’m in the streets like all the time,” he said. “I’m outside all the time, I’m traveling the world all the time. It’s funny to me that that’s the perception, but I understand what people mean by it in this new paradigm. I don’t know if it’s [him granting more interviews, being more public] terribly calculated, but I’m just trying to put myself more into whatever kind of stream is going on here in culture.” He suggested that social media — and it’s 24/7 cycle of content — is likely the reason why it seems he’s purposely staying hidden from the public eye. “The social media thing is kind of amped up,” he said. “One could argue that people don’t actually get information more than half the time. They browse information. I don’t know if they really ingest it.” View this post on Instagram Much love to @gayletter 🌈@collierschorrstudio ♥️ and @jasonrider (for letting me borrow his pants🙏🏾😅) and everyone who helped out on set it was a lot of fun! A post shared by Frank (@blonded) on Apr 16, 2019 at 8:54am PDT While discussing the launching of his own magazine, Boys Don’t Cry, Ocean addressed a bit of the drama related to his contract with Def Jam. As the story goes, Ocean dropped Endless in order to finally fulfill his deal with the record label; Blonde, as a result, was able to be a self-released project all his own: “It [Boys Don’t Cry] was at the same time the records [Endless and Blonde] were being worked on, and in the same timeframe I was trying to close out this label situation I had going on. And also my Apple deal, which all eventually happened. Some of those things — particularly the Universal thing [Universal owns Def Jam, his former label] — was taking forever. So we kept working on the magazine with everyone, all the graphic designers, all the photographers, the illustrators, the art directors, stylists and makeup artists, all their agents — love them too. [Laughs] I was so high-strung over the record and all the business shit around it, the magazine was a reprieve. It stopped me from feeling like my life was on pause because of those things. It made me feel like my life was very much being fully experienced.” As to be expected given his past label situation, Ocean has a complicated relationship with the music industry. He talked realistically and bluntly about what it’s like to be an artist — the pitfalls of working with big companies, accepting the idea of objectification, and the different, and sometimes flawed, ways of measuring success: “Well, fucking with major music companies, you’re going to be…deflowered. Anytime you get into the business side of the arts, there has to be some degree of objectification or commodification that you’re comfortable with, of yourself and of your work. I don’t know about purity. It depends on what you want. A lot of people I talk to about careers in the music industry, their ideas of success have to do with nostalgia. They have to do with tropes of success, things they’ve been shown over the years that represent what a successful career is. I think that helps you become prey, because somebody can manipulate you with those things. Then you may get to a point in your experience where you become disillusioned with those things. So anybody having a clear idea — even if it’s as crass as “how much money do I want to make, specifically?” — I think that’s much clearer than some of these other things that represent success, whether that’s X amount of spins or streams or plaques. Even sold-out venues. If those things don’t help you reach your defined priorities, then what are those things there for? That’s how I try to make decisions in my life and career, and, if asked, I share that philosophy with anybody who asks. For me, it’s about Why am I doing this? What exactly do I want from this? And how do I get those specific things I want out of this? And what does success look like on those terms? And what does failure look like on those terms? That’s how I think about it now.” Elsewhere in the interview, Ocean revealed he’s an avid watcher of Chef’s Table, Handmaid’s Tale, and Grown-ish. He’d like to watch more of RuPaul’s Drag Race and floated the idea that, if he were to ever appear on a show as a guest judge, it would be RuPaul’s reality TV competition program. Ocean also mentioned that he’s had no use for dating apps as he’s been in a relationship for the last three years. Additionally, he talked about his love of queer art and rock climbing, and he made sure to set the record straight — although Wikipedia lists him as 5’10”, he’s actually 6’1″. Read the abridged interview here. The full version can be found in the print edition of the 10th issue of Gayletter. Revisit Blonde single “Nikes”: [cos-videojs-footer id=”janellemonaeevergreenvideo-1525220986885,jayzandbeyonceotriitour-1533245931910,ladygaga-1515450923140,thecomeupclosedsessions-1525884253703,mslaurynhilltoursizzle-1533245865693″]
16 Apr 19
SEAT42F

Talking a bit of a walk on the wild side in the amped up world of Starz’s zany comedy NOW APOCALYPSE, Desmond Chiam embraced a role that allowed him to revel in absurdist comedy. It is to Desmond’s credit that he is takes roles that showcase a wide range of characters, and his fearlessness is […]

15 Apr 19
Jayontheweb.com

Holland FORDHAM UNIVERSITY Triple A WFUV/NEW YORK has elevated overnight and fill-in host ERIC HOLLAND to the MONDAY-THURSDAY evening shift (6-10p) and as the new AMD. He begins his new shift TODAY (4/15).  “We already know and respect ERIC for his work as WFUV’s utility player for nearly a decade — filling in for other […]

15 Apr 19
Our Life Logs

| This is the 295th story of Our Life Logs | I was born in 1985 in a small town in Davao Occidental, the Philippines. I was one of four children and my dad was a struggling truck and cab driver while my mom stayed at home with us. My mom and dad were very young […]

15 Apr 19
Beers are a Changin

Some count how many sleeps until Christmas, I count how many sleeps until GABS, and I’m excited to say that there’s only 12 sleeps left now until Australia’s biggest beer festival hits Brisbane for the very first time. Every year GABS gets a little bigger and this year they’re expecting close to 50,000 attendees in […]